TOP 5 BEST MUSIC PRODUCTION AND RECORDING SOFTWARE(FOR ELECTRONIC MUSIC,ROCK,POP,METAL,JAZZ AND MORE)

1.FL Studio

FL Studio is an ideal digital audio workstation for creating beats and building music. FL Studio comes in three different editions, which include varying plug-ins, sounds and features, so it's a great option for any musician or business owner regardless of one's experience level. The Producer version, the second tier FL Studio edition, is ideal for small studios and businesses looking to expand their music-making capabilities with a full-scale DAW.

FL Studio started as a drum sequencer, and it remains a core function of its service. It's an easy-to-use program that offers intuitive drag-and-drop beat creation on multiple different channels and lifetime free updates.

Price

There are three versions of FL Studio: Fruity, Producer and Signature. The $199 Producer version is an ideal DAW for small business owners or small-scale musicians. In this version, users have access to FL's online support system, lifetime free updates on the product, and FL Studio's music library and effect tools. FL Studio offers an unlimited free trial so you can see how you like the program. There are some limitations on features, but users can save and export work using the trial version so you can test the lifespan of your project from start to finish.

Features

The FL Studio Producer edition comes with all the typical features of a full-scale DAW: You can record, edit and mix music. What sets FL Studio apart from other DAWs, however, is its simple music creation formula. Different drum notes can be broken into separate channels so you can easily mix and edit audio.

It features an intuitive design and a platform layout that's on par with other industry DAWs. This DAW comes with a solid sound library and list of effect plug-ins, but you can download more plug-in options through the FL Studio store.

• Ease of use. FL Studio's user experience measured up with its competitors. It has a simple user experience that mirrors other big industry players. Creating beats and drum loops is simple in FL Studio. The program divides up instrument sounds into individual channels. So, a snare drum and a kick drum would be separated, and each channel would correspond with a single beat or note within a measure. This set up makes it quick and easy to build beats for songs.
• Sound library. The overall sound library features a good list of instruments and sounds for creating music. FL Studio's comparison page provides a breakdown of what instrument is provided in each edition, and users can download more sounds and instruments or purchase them through FL Studio's store. Since it's a full-scale DAW, users can also record their own sounds using FL Studio.
• Plug-ins and effects. Like the sound library, the effect tools for FL Studio include a bunch of different effect plug-ins, synthesizers and other modulators. Users can purchase additional plug-ins and effect tools, which range in price from $35 to $179, through the FL studio store. FL Studio integrates with all VST plug-ins.
• Support. FL Studio offers a user forum for troubleshooting problems, a knowledge base with frequently asked questions and a YouTube channel with video tutorials. FL Studio does not offer phone support or courses provided by the company on the software.

Drawbacks

• FL Studio is only available on Windows. The company is currently working on a Mac OS version and a test version is available for Mac users, although there's been no official Mac release though.
• It doesn't support AU plug-ins.
• FL Studio doesn't offer phone support.

Conclusion

FL Studio comes with all the great features of a DAW and an intuitive way to create beats and mix music quickly. The $199 Producer version is ideal for business owners and small studio musicians looking to add a powerful tool to their arsenal.

While there are a lot of features and sound options, additional plug-ins through the FL Studio store can be expensive, and the company doesn't offer technical support over the phone. Also, FL Studio is limited to PC users, which means it's a great option for musicians and business owners, as long as they aren't using Mac.

THE VERDICT

FL Studio 12 comes with a wide range of sounds and features and is ideal for music creation. Despite only being available on Windows, FL Studio is a good option for small business owners and musicians looking for a powerful DAW.

2.Studio One By PreSonus 

Studio One 3

When Studio One 3 launched PreSonus was aiming to attract a more professional group of users to the platform, in particular, the users of Pro Tools and Logic Pro, offering a generous 70 new features. These features include Scratch Pad, Arranger, Multi-Instruments and Extended Effects Chains to name four, and Studio One 3 was largely welcomed and helped to bring a new group of users to the Studio One platform, either as new DAW users or those migrating from other DAWs.

However, PreSonus has not sat on its hands since the launch of Studio One 3, releasing a series of free updates that have brought even more features to Studio One 3, for example, Studio One 3.5 gave users an added 60 new features. Whatever criticisms anyone may have of either Studio One or PreSonus this kind of continued development of a DAW mid-release and at zero cost is something that has given Studio One a reliable and faithful user base.

In a recent article, Studio One Expert asked users what kind of things they hoped to see in Studio One 4. The article as expected received a lot of responses, some sensible and others less so. Central themes that emerged from that exercise were; Session import and Export in Studio One, OMF/AAF support, and Better MIDI support.

It's always tricky developing software trying to find the balance between genuinely useful user ideas and giving people what they did not even know they wanted, by its very nature innovation is about doing the unexpected. With that in mind has PreSonus delivered some wish list items and at the same time given Studio One users some innovative and genuinely useful features that will help the modern music producer.

Studio One 4 Features

For a comprehensive list of features new to Studio One 4 you can read our article here and also watch our video 'Everything You Need To Know About Studio One 4', but in summary, the new features are;

• A new Chord Track that allows the user to identify and manipulate the harmonic content of both instrument and audio tracks.
• ARA 2 support offering even more power from the Celemony invented ARA (Audio Random Access) plug-in extension.
• Ripple edit mode
• New Drum and Pattern Editor
• AAF Import and Export
• Import Song Data
• Improvements to their Virtual Instruments with overhauled versions of Impact and Sample One now sporting the Impact XT and Sample One XT names and with significant changes to both the feature set and look.

A cursory glance confirms that PreSonus has yet again delivered a generous list of new features. Two questions need answering; firstly are the new features those requested by existing users and secondly, even if innovative, how many of the new features are genuinely useful?

So first back to that list of user-requested features; Session import and Export in Studio One... tick! AAF support... tick and Better MIDI support... a possible tick, we say possibly because that phrase is so all-encompassing that it's hard to pin down what people really mean when speaking in such generalities.

It's important to understand some of the underlying philosophical thinking of the Studio One development team; that is Studio One's workflow is aimed at making things as simple as possible, such as drag and drop. This thinking may sometimes mean that features are not exhaustively comprehensive, but for 95% of the user, they work just fine. In other words in Studio One if PreSonus has to choose between complication or simplicity then often the latter wins, which in most cases is a winner - Studio One is aimed at creatives, not rocket scientists. There are DAWs on the market that will let you modify and tweak to your heart's content, Studio One is not one such DAW.

AAF Import/Export

For example, AAF import is as simple as dragging the AAF onto the timeline and letting Studio One do the rest. There's no dialogue box with a thousand permutations to work through before starting the import. We performed tests on AAFs from Pro Tools 11 and 12, Logic Pro and Final Cut Pro X. All of them came into Studio One without issue, although the importing of automation such as volume and pan was not always as expected. To be fair, this was partly down to AAF export being somewhat broken in Pro Tools 12, something we found documented in some detail in various forums when testing the Studio One 4 AAF feature. Furthermore, it became even more apparent as we researched AAF functionality on multiple platforms that AAFs are not an exact science, perhaps due to how each developer implements them, but in most cases, they work. Export of an AAF from Studio One is simple, but it is important to note that the AAF exported from Studio One needs to be accompanied by the audio files in the main Song folder. The AAF file without the media is useless, so remember to send the entire song folder to anyone you want to share it. AAF is by their own admission a work in progress for PreSonus so expect to see further improvements.

Chord Track

The new Chord Track and associated features are according to our conversations with the PreSonus team during the development stage meant to be used as a useful tool for trying out rough ideas in the composition stage. Chord Track helps the user to identify chords using some smart detection tricks, add them to the song timeline and then to manipulate both instrument and audio tracks, for example by changing certain chords or the entire key of a song. The implementation of this feature is comprehensive and thankfully easy to use leaning towards the KISS (Keep It Simple Stupid) philosophy rather than giving the user almost limitless possibilities that would be likely to send one down a rabbit hole. In our tests, Chord Track worked well at identifying the content in tracks and made it easy to manipulate them. However, it must be said that anyone using the Chord Track feature needs to temper their expectations and remember that Chord Track is created for trying out rough ideas. Particularly with audio, the results of the changes can be harmonically unexpected and can often give the audio artefacts that make them unsuitable for any final mix. Again, PreSonus is clear that Chord Track isn't some silver bullet that will take an entire song from G to Eb dim9 without anyone noticing, what it will do is enable a writer to see how certain chords could work in a song and if used with that in mind delivers on that expectation. The Studio One 4 user manual confirms this;

"While the Chord Track is capable of very powerful effects, it does have its limits, primarily in that audio cannot be pitch-shifted without some level of artefacts added. We recommend that once you're done experimenting and "prototyping" your song, you re-record any audio parts to fit the new chord progression, especially if they are critical parts."

In our tests, Chord Track can prove to be useful in 90% of cases, but as we've already pointed out, it can detect chords incorrectly both in terms of harmonics and timing. With that said we think that the Chord Track is a genuinely useful and at times powerful tool to help those wanting to create ideas and then test them out. There are some suggestions that Chord Track is just another dumbing down of the art of music creation, having used it for several weeks we beg to differ. Anyone using Chord Track still needs a basic grasp of music theory and in particular harmonic theory, using Chord Track without both of these skills is going to do nothing more than increasing the number of avant-garde jazz tracks in the world. So if you have no musical theory training, then we suggest getting some if you want to use Chord Track.

We do hope that Chord Track is a work in progress and that PreSonus continue to hone the Chord Track feature to improve its usefulness. It's already good, but as technology develops it could prove to be a killer feature in later iterations.

Patterns

Moving to other headline new features, Patterns bring to the Studio One creation process what some describe as a step sequencer on steroids. Patterns enable the creation of both rhythmic and melodic parts in much the same way one would create them on a Roland 808/909 or for melodic parts the TB303 Bassline.

Patterns are also somewhat reminiscent of a feature we first encountered in C-Lab Creator (the forerunner to Apple Logic Pro X), a sequencer that ran on the Atari ST computer and was around in the mid-1980s. In some ways, C-Lab had features that were ahead of their time and have been missing ever since, such as the ability to work on patterns with each part having a varying loop length. So why is this so useful? Well if you are writing a 4-minute song and every kick in the track is on the first beat of every bar, then you only need a 1 bar loop of that kick. If the snare only plays on the first beat of every second bar, then you just need a 2 bar loop of 8 beats. The hi-hat may have a 4 bar variation and so on and so forth. You get the idea?

However, what makes Patterns so compelling is not just the ability to vary loop lengths, but you can also change the resolution of each part. Add to this a repeat and probability feature for each part and automation lanes, and you soon realise that Patterns are not only a powerful music creation tool for many genres but also incredibly fun.

Impact XT and Sample One XT

This leads us to the updated virtual instruments found in Studio One 4, Impact XT and Sample One XT. Impact XT is to some degree a software version of Native Instruments Maschine, and before NI fanboys start screaming at the screen, yes we know there's a  lot of differences between Impact XT and Maschine, but for the meat and potatoes, they both do similar things. A sample player, 16 pads and a variety of options to edit the samples. There's been quite a lot of work done on Impact, and it now offers 128 pads which can be played across an entire keyboard, lots of additional ways to tweak the sounds. Then there are some very useful sample import features via drag and drop, the first is that Impact XT will slice up a loop and put it across the pads, based on transients. The second is that you can drag an entire group of samples into Impact XT and it will put them on individual pads. Impact XT also offers time-stretching and tempo sync if you want to put loops on pads. Sample One XT has had a similar make-over and turbocharges under the bonnet, taking it from a VI that was not very useful to something that is now very powerful. For example, you can drag in an entire backing vocal and then trigger it, but you can also record audio into Sample One XT from an almost limitless set of sources within Studio One, including from live inputs - handy for sampling on the fly.

On the whole, the new versions of both Impact XT and Sample One XT are welcome and from our conversations with those using Studio One 4 are using them far more than the original versions.

If we can make one wish for them, it is that when auto-slicing up loops the feature would be even more useful if you could choose to slice at equal lengths across the grid. This would make using the samples with the pattern editor and mixing them around really easy to do. As it stands, it can take some time to figure out the timing of each slice to get them playing as a pattern. Studio One 4.1 perhaps? UPDATE: We've had an email back from the PreSonus team who tell us this is possible to some degree at present, watch this video to see how. 

One thing that is worth noting is that Impact XT is tightly integrated with Patterns. For example with the Pattern editor open and Impact XT open when you click on a pad then it selects the correct lane in the pattern and vice-versa. It's a small but handy workflow feature.

Import Song Data

A final 'wish list' feature in Studio One 4 is Import Song Data, where all or parts of an existing song can be imported into another Studio One Song. The feature offers a comprehensive set of options to import events, layers, automation as well as Console options such as Volume & Pan, Inserts, Sends and Instruments. One can also choose to import or leave out all related media, this is useful, for example, if one wants to bring in a set of drum channels complete with plug-ins but not the audio files. 

It's always hard to look at any DAW without comparing features with implementations in other DAWs. Import Song Data is not as fully featured as let's say the Pro Tools version of Import Session Data, but this speaks again to the PreSonus philosophy of giving users as uncomplicated and straightforward workflow as possible. Having used both workflows being presented with the comprehensive list of options in Pro Tools when importing a session can be as much a hindrance as a help. Neither way of doing it is right or wrong, merely different but on the whole, PreSonus implement features in a way a creative would work, in other words, how can I do this fast without being asked too many questions?

Special Mention - Ripple Edit

As we come to the end of this review of Studio One 4 it feels like the dedication sections of a radio show, you hope you've not missed anyone out, but inevitably you do. There are plenty of new features in Studio One 4 to satisfy both existing users and those considering Studio One as their next DAW.

One special mention in the new version of Studio One 4 is Ripple Edit, this means as you edit audio on the timeline the adjacent audio moves to either fill in gaps or shuffle other audio up or down the timeline. This is very useful for dialogue editors but equally useful for those working in music. We have it on good authority that internally this feature was called 'Russ edit mode;' as he was the person who asked for its inclusion. So, of course, we would have to say what a brilliantly useful addition Ripple Edit is.

Summary 

In summary, Studio One 4 is an upgrade with new features to make several groups of people happy. For those wanting more powerful MIDI composition tools then there's plenty of power in Impact XT, Patterns and the Chord Track. For those wanting better workflow tools then AAF, Song Data Import, notes and ARA2 are going to tick their boxes. Some Studio One users have suggested that PreSonus did nothing to improve mixing in this upgrade, but we can only assume they had short-term memory loss and forgot that Studio One 3, 3.2, and 3.5 had significant mixing improvements including MixFX, VCA faders, better automation handling and the smart tool. It's sometimes easy for those not developing software to forget that it's often the case that a developer will create releases to satisfy a particular segment of the user base - if Studio One 3 was for mixing then Studio One 4 is for music creation. Combined Studio One 3 and 4 have really taken Studio One from an also-ran to a front-runner in the DAW race.

Of course, the two giants that are always in the mind of those making comparisons are Pro Tools and Logic Pro X, both DAWs have a lot of history both in terms of development and fans. 

At the same time, there are existing users and fans, which can prove to be both a blessing and a curse for product developers. On the one hand, they are unpaid evangelists who have helped to get you where you are, and at the same time, they can resist the change necessary to make an application what it needs to be. Studio One 4 manages to deliver features for both existing and potential users, as we've already said by building on the excellent development of Studio One 3. 

DAW Perfection?

For those wanting an agile, powerful and cost-effective professional DAW then Studio One 4 has made life easier for first time buyers wanting to buy it and a lot harder for those trying to resists its attraction. 

Studio One 4 isn't perfect, but it's an excellent first attempt at moving Studio One closer to that elusive if not impossible goal. Knowing how Studio One 3 features developed at zero cost to those who stumped up for 3.0 then one can only imagine Studio One 4 is going to get better too.

We rarely give ratings on reviews, but for those who like them then we'd award Studio One 4 a score of 8/10. Recommended.

3.Cubase 

Cubase offers features that make it an intuitive, compatible DAW. One main feature is render-in-place. Cubase can easily render audio and alter it from one format to another, right in the window. This cuts down on export time and allows you to adjust an audio file, from MIDI to WAV for example, with ease. Cubase also makes it easy to compile and loop audio, so you can record multiple tracks and cross-fade them into a master track.

Cubase, like Pro Tools, Bitwig Studio and Ableton Live, offers the ability to share and collaborate on projects using its cloud system, VST Transit.

• Ease of use. Cubase offers an easy-to-use interface that can be used for quick and simple sound editing. For example, in Cubase, users can compare edits or adjustments with an A/B comparison mode. This allows musicians and business owners to play with different aspects of an audio project and compare quickly. It also features adapt-to-zoom, so when you need to zero in on an area of an audio project, the scale and interface adjusts accordingly.
• Sound library. Cubase comes with eight software instruments and over 2,600 different sounds. It syncs with all major file types like WAV and MIDI so you can add sounds you find online. Sounds and tracks are organized in Cubase's media bay, which allows you to easily access content while you're working.
• Plug-ins and effects. There are over 70 plug-ins and effects included in Cubase's Artist edition. It also supports integration with VST plugin formats.
• Support. Cubase provides an online forum with technical support help, a knowledge base of frequently asked questions, YouTube tutorials email and phone support. Users can live chat with experts on the Cubase website, although we didn't receive a response when we tried this. Steinberg also offers courses in Cubase, so if you're having trouble and need help beyond what is provided on YouTube and in the forum, you have an option to learn the software as well. Support is available from 8 a.m. to 7:30 p.m.

Drawbacks

• Cubase's interface is good but less visual compared to other DAWs. Its more analog approach is less of a drawback and more of something to consider when comparing other programs.
• Cubase features less software instruments compared to some competitors.

Conclusion

Cubase is a powerful DAW with an excellent level of support offered. Based on the several different ways you can get in touch with a Cubase representative and learn more about the program, Cubase is a great choice for musicians and business owners. Its three-tiered payment system means you can start learning on Essentials and eventually upgrade to Pro.

Steinberg's course offerings also mean you can find a certified teacher so you can take advantage of all the tools Cubase has to offer.

4.Reaper

Reaper is a full-fledged digital audio workstation for under $100, and a great option for users looking for a budget-friendly program that has the same capabilities of a more expensive DAW.  While it doesn't come with a built-in sound library, Reaper is compatible with a range of file types.

Reaper also provides a solid level of customer service support, with an online community, knowledge base and YouTube tutorials to learn the software. It features a 60-day trial, so you can test-run the software and see how you like it. It's also one of the few DAWs with unlimited free updates through a certain version – you'll be able to update Reaper for free through version 6.99.

Reaper offers a full stack of features that make it a powerful program despite its low cost. It's highly compatible, and offers a flexible design and interface that is easy to use and learn.

• Ease of use. Reaper's interface is easily customizable, so you can change toolbars, layouts and other appearance aspects. It supports pop-out windows for most features, so the main screen stays devoted to the timeline. Everything is drag-and-drop oriented, so navigating and using Reaper is easy to pick up. Project windows are also divided into tabs in the upper left-hand side of the program, allowing you jump between different aspects of your project easily.
• Sound library. Reaper does not come with a sound library but can read almost 25 different file types and can even export projects into 15 different file types.
• Plug-ins and effects. Reaper comes with plug-ins already built into the software. If you want to add others, you can download and install any third-party plug-in, including VST, VST3, VSTi, DX and AU. Reaper offers good tools for editing audio and building new sounds.
• Support. Reaper offers solid support but no direct phone line for technical support specifically for Reaper. Users can contact the parent company for technical support via email. There's also a knowledge base, user forum and YouTube channel with tutorials. Reaper's primary support is offered through the user forum, where licensed users can post questions and browse past discussions. Because of this format, support is available 24/7.The commercial license is pricey considering it comes with no sound library.
• • The user interface is easily customizable but not as sleek as some other paid programs.
  • Reaper does not offer phone support, so if you have a problem you must post online or troubleshoot using the existing knowledge base.
  Reaper is a great digital audio workstation for a low price. Its YouTube tutorials and forum make learning more about the software easy, and its interface is intuitive and easy to use. This program is ideal for business owners or users looking to get use a full-fledged DAW to learn more about creating music and building audio projects.
  Reaper's compatibility is virtually unmatched by competing DAWs. Its various built-in plugins and overall low price make this an affordable, powerful DAW.

THE VERDICT

Reaper is a good engine for recording, editing and mixing audio. While it doesn't come with a sound library included, it integrates with most third-party plug-ins, effects and sounds.

5.logic pro x

Logic Pro X is Apple's flagship recording studio software that offers an extensive sound library, a good mix of plug-ins and a high level of product support. Logic Pro is an affordable digital audio workstation that comes with the same features and sounds as more expensive models.

For business owners or musicians who have been using Garageband, Apple's free recording software, Logic Pro will feel familiar. If you're new to Apple products, Logic Pro comes with an intuitive and easy-to-use interface so you can start working on projects quickly. Based on the level of support, its extensive sound library and low price, Logic Pro X earns our best pick for best overall value.

In the world of studio recording software, many DAWs are structured so that inexpensive programs render thin sound libraries and expensive programs offer extensive sound options. Logic Pro is unique in that it offers an extensive sound library at a low cost. This way, once you download the program, you don't have to constantly hunt for sounds and plug-ins.

• Ease of Use. Logic Pro has a simple drag-and-drop interface that's structured to include a few different windows fit onto one screen. Its structure is consistent with most other DAWs, and users can add or collapse windows based on the project they're working on.
• Sound Library. Logic Pro offers 21 software instruments, nine MIDI plug-ins, 2,767 patches and 5,649 loops. For an inexpensive program, this is a wide range of options to choose from. Users can also download and add sounds to Logic Pro for even more options.
• Plug-ins and effects. The program also comes with 66 effect plug-ins and can integrate with third-party plug-ins if they are in the AU Apple format.
• Support. In addition to online support, Apple provides phone support seven days a week from 8 a.m. to 8 p.m. While Apple offers phone support and FAQs, Logic Pro doesn't have a separate YouTube channel with tutorials. Instead, users can find community-generated tutorials for using Logic Pro X. Users looking to get the most out of their Logic Pro experience can enroll in classes through Apple.

• Logic Pro X is an Apple product and is only available on Mac.
• It only integrates with Apple-friendly plug-ins in AU format.
• There's no Logic Pro YouTube channel.

Logic Pro X is a good option for business owners looking to use a full-service DAW at an affordable price. With an extensive sound library and solid support, Logic Pro is a great value for small business owners and musicians looking for a Mac software application. Another bonus feature is the ability to edit and record on mobile devices – Logic Pro projects can be uploaded and edited in GarageBand using an iPad or iPhone.

Logic Pro's flexible interface and overall versatility make it a great value for small business owners and musicians.